Pyotr
Naumovich - is today that Atlanta, which supports a more reeling
building of our modern theater, from which every day are trying to drive
out the word, and together with the word and the man "- she says
Ludmila Maksakova.July 13, 2012 director, artistic director
of the Moscow theater "Pyotr Fomenko Workshop" 80 years old. On the anniversary of Peter Naumovich Fomenko, July 13 at 19:45
TV channel "Russia - Culture," will show a documentary film by Alexander
Avilov, "Thomas. A kiss
through the glass. ""Thomas" - the so-called director Fomenko. In a film about him, his work, rehearsing and just manner of
interesting cases, outside the scene told Yuli Kim, Yuri Ryashentsev,
Lyudmila Maksakova, Valentin Gaft, Viktor Sukhorukov, Olga Antonova,
Igor Ivanov, Cyrus Kreylis-Petrov, Konstantin Raikin, Nicholas Epov the actors of the theater. Pyotr Naumovich
said in a film about art, about his vision of stage direction, the
attitude towards failures and criticism.On the same day at 23:00 will be shown TV
version of the show "Pyotr Fomenko Workshop" "Wolves and Sheep".Pyotr Naumovich
Fomenko, "The performances - this is our product, is the work of the
soul, and soul, like conscience, can not touch it. How fortunate that this metaphysical concept, and not the
material! I have not conducted any
concept and desire to put as much as before did not exist. You
can not put as it was, because the other actors. Our "Three Sisters" such as never was
and never will, and from them there and reading the play. And the most expensive in the play is that these people live
in the future, which in the past. When they look to the future, sometimes slip
noticeably, sometimes completely unnoticed in their past.Failure is sometimes more expensive, more useful and important,
not just as a test of survival, but as a feeling of being able to, if
not tragedy, the drama. Suffering
is sometimes enriched. Keep the strokes of criticism ... It is
very serious, interesting, creative and not always careful in the
separations and negative evaluations. But we soon began to play - even in
school. And then, the actors studied together with the directors. Although you can not learn filmmaking, you can only
multiply and preserve the qualities that are natural in man, and equip
their arsenal, which in life must change all the time - get rich or
corrected. "Konstantin Raikin: "He wants you to do something that you have
a natural position, and not what you know how. He does not like what you can do, because they were able in
itself distasteful to him. This is a brilliantly precise sense, it just
puts an actor in a very difficult, almost suicidal position. He must give up entirely on my experience, it must
be completely student. This
is a very cruel thing.I
came to his performance of "Family Happiness," and was completely
shocked. I could not wait for the
intermission, because I thought, "Where then do?" ... Because they
have reached such heights and subtleties. It was just a music
director, as played by a master, barely touching the tips of his fingers
directing the keyboard. This was the peak, and for the top should be
a recession. And he was, I
must say. The second act they are, thank God, have played worse. Because I do not
know what happened to me. I
would seriously ill. I came to see him backstage afterwards and
said: "Peter Naumovich, just brilliant, I can not say in another way". And he, as it is
coquetry, darkened eyes and told me: "Well, you did not see" Cuckold!
"".Valentin
Gaft: "Pete would put the play on the phone book, not because there is a
name, surname, patronymic, address, and because there are real people -
sick, healthy, loving, happy, distressed, suicidal, and returned to
life, children, adults,
old women and old people. This
Petin material. Peter knows the
life. "Theater critic Marina Zion: "If you look deeper into what makes
Fomenko, in each of his performance - our life, not our real, present,
and life in general - is hard, unpleasant, and even with the problems in
a sense, tragic, because that ends with what we know. "Actor Viktor Sukhorukov, "Something does not seem to come
together between the director Fomenko and criticism. I had the courage to say: "Today, the
director Peter Naumovich Fomenko is not discussed." Criticize, discuss - improper, because he now legend. He now exists in that
beautiful theater space, where he even calls the play view. "
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